CBSE Class 11 Syllabus 2023 – 24 For Class 11 Carnatic Melodic Syllabus Download Online CBSE Syllabus Class 11 Carnatic Melodic Syllabus As per Guidelines.
CBSE पाठ्यक्रम 11th Class Carnatic Melodic Syllabus As Per NCERT
सीबीएसई बोर्ड 11वीं सिलेबस 2023 | CBSE Syllabus 2023 2024 | CBSE Carnatic Melodic Syllabus for Class XI | CBSE Class 11 Carnatic Melodic Syllabus www.cbse.gov.in
CBSE Latest Syllabus for Class 11 Carnatic Melodic Syllabus is important for students to prepare their study time to time. Here we are provided New Edition CBSE Syllabus 2023. Stay tuned with Us for Get All Subjects Solution Biology MCQ, Physics MCQ, Difference between in Physics , Difference between in Biology
Exam Pattern for Year 2023 – 24
- Competency Focused Questions in the form of MCQs/ Case Based Questions, Source-based Integrated Questions or any other type = 40%
- Select response type questions(MCQ) = 20%
- Constructed response questions (Short Answer Questions/ Long Answer type Questions, as per existing pattern) = 40%
In case you have missed:- NCERT Solutions for Class 11
CBSE Class 11 Carnatic Melodic Syllabus 2023 2024
Theory
| A. | History and Theory of Indian Music | No. of Periods |
| 1 (i) | An outline knowledge of following Lakshana Grantha Natyasastra, and Chaturdandi Prakasika. | 4 |
| (ii) | Short life sketch and contributions of the following: composers- Veena Dhanammal, Rajamanikkam Pillai, Tirukkodi Kaval Krishna lyer (violin), Thyagaraja, Syamasastry,Muthuswamy Deekshitar |
8 |
| (iii) | Brief study of the musical forms: Geetam and itsvarieties; |
6 |
| II | Definition and explanation of the following: Nada, Sruti, Svara, Vadi, Vivadi:,Samvadi, Anuvadi, Amsa& Nyasa, Jaati, Raga, Tala, Jati, Yati, Suladisapta talas,Nadai, Arohana, Avarohana. |
3 |
| III | The candidates should be able to write in notation of the Varnamin | 5 |
| IV | Lakshanas of the ragas prescribed. in addition to Kambhoji& Dhanyasi, Ananda bhairavi is deleted |
06 |
| V | Talas Prescribed: Adi, Roopaka, Misra Chapu and Khanda
Chapu. A brief study of SuladiSaptatalas. |
5 |
| VI | A brief introduction to Manodhama Sangitam | 3 |
| Total Periods | 40 |
Pactical
| B. | Practical Activities | No. of Periods |
| 1 | Ragas prescribed: Mayamalavagowla, Sankarabharana, Kharaharapriya, Kalyani, Madhyamavati, Arabhi, Pantuvarali Kedaragaula, Vasanta,Kanada,. |
25 |
| 2 | Varnams (atleast two) in Aditala in two degree ofspeed. |
08 |
| 3 | Kriti/Kirtana in each of the prescribed ragas, covering the main Talas Adi, Rupakam andChapu. |
08 |
| 4 | Brief alapana of the ragas prescribed. | 25 |
| 5 | Technique of playing -Kalpanasvaras in Adi, an Rupaka talas in two degrees of speed |
20 |
| 6 | The candidate should be able to produce all the gamakas pertaining to the Chosen instrument.Only important Gamakas pertaining to opted Instruments are recommended. Other gamakas are deleted, |
14 |
| Total | 100 |
(B) CARNATIC MUSIC (MELODIC INSTRUMENTAL)
A) History and Theory of Indian Music
1)An outline knowledge of the following Lakshana Grandhas
i) Natyasastra and Chaturdandi Prakasika.
ii)Short life sketch and contributions of the following:- Veena Dhanammal, Rajamanikkam Pillai, Tirukkodi Kaval Krishna lyer (violin), Thyagaraja, Syamasastry,Muthuswamy Deekshitar,
iii)Brief study of the musical forms: Geetam and itsvarieties; Varnam – Svarajati, Kriti/Kirtana
2)Definition and explanation of the following terms:
Nada, Sruti, Svara, Vadi, Vivadi:,Samvadi, Anuvadi, Amsa&
Nyasa, Jaati, Raga, Tala, Jati, Yati, Suladisaptatalas,
Nadai, Arohana, Avarohana.
3)Candidates should be able to write in notation the Varnamin the prescribed ragas
4)Lakshanas of the ragas prescribed. in addition to Kambhoji&Dhanyasi, Anandabhairavi is deleted
5)Talas Prescribed: Adi, Roopaka, MisraChapu and KhandaChapu. A brief study of SuladiSaptatalas.
6)A brief introduction to Manodhama Sangitam
