CBSE Class 12 Carnatic Melodic Syllabus 2024 2025

CBSE Class 12 Syllabus 2024 – 25 For Class 12 Carnatic Melodic Syllabus Download Online CBSE Syllabus Class 12 Carnatic Melodic Syllabus As per Guidelines.

CBSE पाठ्यक्रम 12th Class Carnatic Melodic Syllabus As Per NCERT

सीबीएसई बोर्ड 12वीं सिलेबस 2024 | CBSE Syllabus 2024 2025 | CBSE Carnatic Melodic Syllabus for Class XII | CBSE Class 12 Carnatic Melodic Syllabus www.cbse.gov.in

CBSE Latest Syllabus for Class 12 Carnatic Melodic Syllabus is important for students to prepare their study time to time. Here we are provided New Edition CBSE Syllabus 2024. Stay tuned with Us for Get All Subjects Solution Biology MCQ, Physics MCQ, Difference between in Physics, Difference between in Biology

Exam Pattern for Year 2024 – 25

  • Competency Focused Questions in the form of MCQs/ Case Based Questions, Source-based Integrated Questions or any other type = 40%
  • Select response type questions(MCQ) = 20%
  • Constructed response questions (Short Answer Questions/ Long Answer type Questions, as per existing pattern) = 40%

In case you have missed:- NCERT Solutions for Class 12

CBSE Class 12 Carnatic Melodic Syllabus 2024 2025

(B) CARNATIC MUSIC (MELODIC INSTRUMENTAL)

A) History and Theory of Indian Music

I)i)An outline knowledge of the following Lakshana Granthas: Sangita Saramrita Sangita Sampradaya Pradarsini, Svaramelakalanidhi and Ragavibhodha, Brihaddesi

ii)Short life sketch and contributions of the following: Annamacharya, Swati Tirunal, Kshetrajna, Maha VaidyanathaIyer, Patnam Subramanya lyer, Ramnad Srinivasa Iyengar Mysore Doraiswamy Iyengar, Dwaram Venkataswamy, Naidu Karaikkudi Brothers, Mysore Vasudevachar.

iii)Brief study of the musical form, Kriti, Tiruppugazh, Javali

iv)Detailed study of the Manodharma Sangita

II)Definition and explanation of the following: Janaka, Janya system of Ragas, Bhashanga, Upanga, Varja, VakraRagas, Arudi, Eduppu, Jati, Grama and Murchchana, Jaati.

III)Only Brief description of the ragas prescribed

IV)Candidates should be able to write in notation the kirtana in the ragas prescribed.

V)The candidate should be able to describe the construction of the instrument opted for along with the basic techniques of playing.

VI)The candidate should have an outline knowledge of the classification of instruments in general and a brief history of the instrument opted for.

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