CBSE Class 12 Syllabus 2024 – 25 For Class 12 Dance Syllabus Download Online CBSE Syllabus Class 12 Dance Syllabus As per Guidelines.
CBSE पाठ्यक्रम 12th Class Dance Syllabus As Per NCERT
सीबीएसई बोर्ड 12वीं सिलेबस 2024 | CBSE Syllabus 2024 2025 | CBSE Dance Syllabus for Class XII | CBSE Class 12 Dance Syllabus www.cbse.gov.in
CBSE Latest Syllabus for Class 12 Dance Syllabus is important for students to prepare their study time to time. Here we are provided New Edition CBSE Syllabus 2024. Stay tuned with Us for Get All Subjects Solution Biology MCQ, Physics MCQ, Difference between in Physics, Difference between in Biology
Exam Pattern for Year 2024 – 25
- Competency Focused Questions in the form of MCQs/ Case Based Questions, Source-based Integrated Questions or any other type = 40%
- Select response type questions(MCQ) = 20%
- Constructed response questions (Short Answer Questions/ Long Answer type Questions, as per existing pattern) = 40%
In case you have missed:- NCERT Solutions for Class 12
CBSE Class 12 Dance Syllabus 2024 2025
The objective of the theory and practical course in Indian Classical Dance, Indian Traditional Dance, Drama or Theatre forms is to acquaint the students with the literary and historical background of the Indian performing arts in general, arid dance drama form offered in particular. It is presumed that the students offering these subjects will have had preliminary training in the particular form, either within the school system or in informal education. The Central Board of Secondary Education being an All India Organization has its schools all over the country. In order to meet the requirements of the schools, various forms or regional styles have been included in the syllabus. The schools may OFFER ANY ONE OF THE STYLES. Since the syllabi are closely linked with the culture, it is desirable that the teachers also make themselves familiar with the aspects of Indian Cultural History; classical and medieval period of its literature.
Any one style from the following may be offered by the students:
INDIAN CLASSICAL DANCE
(a) Kathak
(b) Bharatnatyam
(c) Kuchipudi
(d) Odissi
(e) Manipuri
(f) Kathakali
(A) KATHAK DANCE (CODE NO. 056)
CLASS–XII(2022-23)
1) A brief history with other classical dance styles of India.
2) Basic understanding of the term ABHINAYA and definition of its four aspects: angika, vachika, aharya,satvika.
3) Aquitance of the three gharanas of kathak dance (Lucknow, Jaipur, Banaras)
4) Rasa: definition and explanation of nine rasas.
5) Knowledge of the following terms: (short note) sangeet, tal, laya, angahara, bhramari, lokadharmi, natyadharmi, rasa andbhava.
6) Knowledge of the technical terminology of the danceform.
a) Definition of the following:
i) Vandana ii) Tihaayi
iii) Aamad
iv) Toda/Tukraa
v) Paran
vi) Chakardar Toda /TukraaandParan
vii) Gatnikas
viii) Gatbhaav
b) Knowledge of Theka of Dadra, Kaharwa,Roopak.
c) Definition of Tali, Khali, Sam, Tihaayi.
d) Ability to notate a Tukraa/Toda and Paran.
7) Acquaintance with the traditional costumes and makeup
- (B) BHARATNATYAM DANCE (CODE NO.057)
CLASS–XII (2022-23)
1) Acquaintance with life history of the chief exponents and contributors of the past of the Dance form. (Rukmini Devi Arundale, Balasraswati, MeenakshiSundaramPillai, Tanjorequartette)
2) Acquaintance with the contents of the AbhinayaDarpana. (The chapters and the aspects of dance dealt with in them).
3) Knowledge of the following terms:
(i) Nritta, Nritya, Natya (Sanskrit slokas from the Abinaya Darpana and basic definition) Tandava (7 tandavas with detailed stories) Lasya, Lokadharmi, Natyadharmi (Definitions with example)
(ii) Sthana, Chari, Mandala, Bharmari, Utplavana (Slokas and meaning from Abinaya Darpana)
(iii) Abhinaya (Angika, Vachika, Satvika, Aharya-slokas from the Abinaya Darpana along with the meaning)
(iv)Sangeeta, Tala, Laya (Definition of the term, seven talams, threelayams)
(v) Rasa (names of the nine rasas and their English meanings)
4) Knowledge of the technical terminology of the particular Dance form (any one to be studied in accordance with the Dance style offered)-
(a) Definitions of the following: araimandi, muzhumandi, kuttanam, korvai, karvai, adavu, shollu, aradhi, theerumanam, jati, jaati, gati, avartana, yati, taalanga, thattukazhi, nattuvangam, arangetram)
5) Acquaintance with the traditional costumes, make up of the Dance style opted.
- (C) KUCHIPUDI DANCE (CODE NO. 058)
CLASS–XII (2022-23)
A brief history and acquaintance with some traditional dance forms of the region, other than the one offered forstudy.
Acquaintance with life history of the chief exponents of the dance form, past and present.
Knowledge of the following terms:
(i) Nritta, Nritya, Natya, Tandava, Lasya, Lokadharmi, Natyadharmi
(ii) Chaturvidha Abhinaya (Angika, Vachika, Satyika, Aharya) with special reference to MukhajaAbhinaya.
(iii) SanchariBhava, Sattvika Bhava
Types of compositions and formats used in Kuchipudi Definitions of the following:
(a) Rangapuja, Shabdam, Ashthapadi, Kalaapam, (Bhaama Kalaapam, Golla Kalaapam).
- (D) ODISSI DANCE (CODE NO. 059)
CLASS–XII (2022-23)
1) Elementary knowledge about the three styles of Chhau: Mayurbhanj, Seraikella and Purulia.
2) Brief notes on the lives and contribution of the three Gurus: Guru PankajCharan Das, Guru Kelucharan Mohapatra and Guru Deba Prasad Das.
3) Elementary introduction to the texts; NatyaShastra, Abhinaya Darpana, and Abhinaya Chandrika: a) Identification of the author (approximate date) b) Basic overview of the broad areas covered in the context of each text. c) Myths regarding the origin of dance according to each text.
4) Basic understanding of the term ABHINAYA and definition of its four aspects: angika, vachika, aharyaandsattvik.
5) Rasa: Definition and short explanation of the nine rasas.
6) Short notes on:
- a) The Aharya of Odissi.
- b) The music accompaniment of Odissi.
7) Brief explnation of the following terms: (Unit IV Class XI)
a) Nritta, Nrityaand Natya
b) Matra, Laya, Taal, Avartana, Vibhaga(Anga)
c) Tandava and Lasya
d) Natyadharmiand Lokdharmi
8) Write some names of Folk Dances of Odisha
- (E) MANIPURI DANCE (CODE No. 060)
CLASS–XII(2022-23)
1) Acquaintance with life history of chief exponents past and present of the dance form.
2) Acquaintance with the contents of Abhinaya Darpana.
3) Knowledge of the following terms:
(a) Nritta, Nritya and Natya. Tandava, Lasya, Loka Dharmi, NatyaDharmi.
(b) Abhinaya: Angika, Vachika, Aharya and Satvika.
(c) Sangeet: Tala Laya.
(d) Rasa: Sthayi Bhava, Sanchari Bhava
4) Knowledge of technical terms of thestyle:
(a) Chali, Bhangi, Longlei,Uplei
(b) Different kinds of Choloms: Kartal Cholom, KhubakIsei Cholom, Pung Cholom.
(c) Sankirtan. Different Talas, Rajmel, Menkup,Tanchap.
(d) Different kinds of Raas.
5) Acquaintance with the traditional costumes, make up for the dancestyle offered.
(a) Potloi and its different components for Radha and Gopis
(b) Krishna’s costume.
(c) Typical traditional make up for Manipuri classical dances with emphasis on Vaishnava Tilak.
- (F) KATHAKALI DANCE (CODE NO. 061)
CLASS–XII(2022-23)
1) Acquaintance with the life history of the great masters of the dance form of both past and present.
2) Acquaintance with the contents of the Hastha Lakshana Deepika and Natyasasthra.
3) Knowledge of the following terms:
(i) Nritta, Nritya, Natya, Tandava, Lasya, Lokadharmi,Natyadharmi.
(ii) Anga, Upanga,Prathyanga
(iii) Abhinaya (Angika, Vachika, Satvika, Aharaya) with special reference to Hasta-Abhinaya, Mukhaja-AbhinayaandNetra-Abhinaya.
(iv) Sangeeta, Tala,Laya
(v) Rasa, Rasadhrishti, Sthaayibhava, Sthaayidrishti, Sancharibhava, Bhaava, Vibhaava, Anubhaava and SathvikaBhaava,
4) Knowledge of the Technical Terminology of the Art forms
(a) Mutiyettu, Theyyam, Kootiyaattam, Ramanattam,Krishnattam, Ottanthullal, and Kalarippayattu
(b) Hastas – Samyutha, Asamyuta, Mishra, Nanartha from Hastalakshanadipika.
(c) Kaal SadhakamIrativatam.
(d) Kalassam, Ashtakalasam, Ilakiyattam,Cholliyattam
(e) Keli, AranguKeli (Shuddha Maddalam), Todayam, Purappadu, Melapada, andDhanaasi
(f) Chutti, Pachchha, Kathi, Thaadi, Kari,Minukku
(g) Rasa, Rasadhrishti, Sthaayibhava, Sthaayidrishti, Sancharibhava, Manodharma,Cholliyaattam and Ilakiyaattam
(h) Ability to write in notation talas learnt underpracticals.
5) Acquaintance with the traditional costumes and makeup of the Dance style opted.
6) Knowledge of Kathakali music both vocal and percussion.